In advance of The MASH, we talked to several up-and-coming musicians joining Reverberations Mag at the Olin Stage.
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An Asian-American high schooler recounts the importance of genuine representation and the joys of self-recognition through Crazy Rich Asians (2018).
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JR Atkinson watches Bo Burnham’s new film Eighth Grade (2018) and reflects on her own experiences as “the quiet kid” in middle school.
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Rebecca Solnit’s book serves as a quasi-guide to Linne Halpern in the immediate aftermath of her college graduation.
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After moving to NYC, “Marigold” brings back the memories—and strength—of a simpler time.
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After sneaking into a 21+ venue, one concert-goer finds reception with and reverence for Liz Phair.
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Amid a stormy midwestern summer, one writer learns to embrace chaos while playing The Last of Us.
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Sage Marshall and Douglas A. Martin discuss Kathy Acker, the juxtaposition of different selves, finding a voice within criticism, and the importance of creating a home within writing.
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On being young at a Billy Joel concert & reflecting on the nostalgia of his music.
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Why an intriguing trailer and visually stimulating imagery were not enough to keep this writer enmeshed in Annihilation (2018.)
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A flight-averse passenger finds solace in the music of The Smiths.
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Love, Simon (2018) resonates with writer Alex Minton.
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Madame Gautreau Drinking a Toast defied 19th century gender expectations.
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David Harrington discusses his inspiration for starting Kronos Quartet, the energy of collaboration, and his advice for aspiring musicians.
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Austin Halpern discusses his practice of interpretive landscape in advance of his photography show at the Telluride Arts HQ Gallery.
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In the midst of her freshman year of college, Rookie on Love (2018) brings one writer the comfort and nostalgia of her early teens.
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In Jeannette Haien’s novel The All of It (1986), love cures all.
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Reading Matsuo Bashō's Japanese prose-poetry from 1689, while contemplating stillness, isolation, journeying, and the aftermath of death.
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One writer binge-watches and reflects on the dark fantasy of Netflix mini-series The End of the F***ing World.
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One writer experiences the vibrant fantasy of California on a snowy day by attending the Met's David Hockney retrospective.
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